For it being smart and possible!

November 24th, 2009

ms paaaaarish.

Waa! Thank you for that! Thats alot to think of. Eid is coming and our family is going for a (not so long) vacation, and I think that is just the right time to plot wonders! I have ordered ‘writing down the bones’ and hopefully will be getting a call (of order arrived) soon!

And yes! I write. I write whenever inspirations knock me on the head! I’ll send you a post from my blog. Whats illogical lately,  is how tradition affects individuals. So this is something about that.

For whiles and wonders, you can be mine. For days that translate into years, for all those times that never come. For hopes and dreams and a great big title in red and black letters. For points of pitiful convoy. For the uneven paving stones of the road. For dares. For enough fooling around. For ‘no we’re not in love again (although that doesn’t stop me from caring a great deal for you and waiting impatiently to see you again)’.

For the sun already low in the sky. For far away cities. For no track of beginnings and endings. For how the snow falls free. For belief, that keeps slipping down. For you, also holding a length of my rope.

For the drift of wonders. For the end of words.

For that being all.

other voices for the conversation

November 23rd, 2009

heya hubba,

I finally got to work on that recommended reading list for you. I created a “page” cause I imagine it’s something I’m going to add to over time, and you should add to it too as you discover books which you find helpful.

It’s semi-sorta in order of importance, or maybe in order of influence?  Actually,  that’s not strictly true. I don’t know. I need to annotate it, and maybe add some labels. Cause some of them are purely theoretical, i.e. about writing or about the teaching of writing, and some of them have exercises. And some of the theoretical ones are a bit heady/heavy. I wouldn’t recommend Rational Geomancy to everybody, and if you do manage to get a copy for yourself, don’t fret if a lot of it is bewildering. It took me several passes at many of the essays in there to feel that I really got what was going on. But I think you would really like it, and I think you’ll understand how it’s influential to me and how it shaped some of what we did in class.

I will also create a page of recommended websites. But that’s a longer project.

Hope your exams are going well!

p.s. are you still writing, finding time to write? send me stuff!

mushroom, mushroom

November 23rd, 2009

Mushrooms spring from the ground overnight, appearing where there were none before, challenging the senses and fostering suspicion. ‘To mushroom’ means literally ‘to develop explosively,’ surely a fine way of thinking about a desire to write, a sudden urge to commune.

- Mycologocal Studies, Jay MillAr

Dear Hubba,

I have been thinking about mushrooms.

This semester, I have more consciously kept our writing activities fairly private in the first term. We have been gestating. Decomposing. Fermenting. But all in the dark.

Now, it’s time to bring this work into the light, to expose it to ears and eyes and hands.

As I was explaining this shift to the class, I drew some explicit connections to In the Skin of a Lion, which, of course, a good number of them are reading. They haven’t got to the scene with Caravaggio and Gianetta in the mushroom factory yet, so I just told them to keep a look out for the mushrooms. The writer needs to spend time in the dark. And, as a writing teacher, I think that part of my job is to help young writers not be afraid of the dark, of what they might encounter there. And then, when they’re ready, to bring what they discovered there to the light.

- from journal to blog

- from sharing with a partner to sharing with the class

- from in class compositions to magzines, contests, zines, etc.

If you build it…

November 21st, 2009

Hubbbaaa!

Sorry for the delayed response. Looks like your exam craziness coincided with a bit of crazy I had going on myself.  I plan to make it up to you this weekend!

But first things first. You need to get some people to teach!

I can only help you in this to a limited degree, because in some ways, publicity is a lot like writing an essay. You have to know your audience, and know how to present your message to them in a way that will reach them. I don’t know your audience.  Do you?

That’s probably a first step. Who do you want to teach? Children? Young teens? Young adults? Adults? Be specific. Don’t try to teach everybody at once!

Something that might help you narrow your focus is doing a bit of research. Find out what kinds of creative writing workshops *are* being offered in your city.  You can either fill in the gaps, or supply an additional resource if they’re really popular for a certain age group.

And you should definitely do some research anyway. Find out what other models are successful in Pakistan. How much do they charge? What do they do? Who takes these courses? You might also find organizations who are looking for creative writing teachers. Then you won’t have to worry about a lot of the administrate stuff, and you can probably still have the freedom of developing your own curriculum.

Make contact with other people who are doing similar things. You might be able to form partnerships!

So, get thee to google, girl. Who knows what you will find. When I searched “creative writing pakistan,” I found this wonderful interview with a young writer named Shandana Minhas. Check out the beginning:

Welcome to Pakistan Paindabad, Ms. Minhas. What does your first name ‘Shandana’ means?

Glorious pimple. No. Glory and intelligence.

Ohhhhhh, I like her. And I think the interview would be really instructive for you. And she could be a really helpful contact for you.

But do your homework before you contact her, asking for advice. Do some research about what exists already. Come to some understanding of who you think your audience is. I bet she’ll be able to nudge you in the right direction.

onward!

To new beginings (with old foundations)!

November 9th, 2009

Ms paaaarish,

As much as I was amazed with the fact that the whole Writer’s Craft idea was working so well ( I had everything in grip and was on my way to chaste freedom), I had totally forgot that, apart from all the happiness it brought, it was to be held as a private class. And to hold and carry out a private class and to actually  have people want to take the course in the first place is a veeeeeeery difficult thing.

It is just you and I (and the rest of the teachers teaching writers’ craft and the students taking it ) that know how wonderful the course really is. But it is exceptionally hard to try to convince people that this course really is “meant for them”.

n short, I don’t know how to PUBLIC ATE this course.

At first I thought I would make nice brochures and flyers and give them out and people would just be automatically drawn (since I thought I already had the location and all I needed was students) , but then last night my Dad walked in through the door and told me that the office he was talking about is totally empty (no chairs, tables, rugs, couches, NOTHING!), and that it was still under construction. And I can’t wait!  If I wait too long, a time will come when I wouldn’t want to do this whole thing at all.

Soooo what do I do? Where do I find a nice classroom with chairs or couches or anything, and how do I let people know that there is a wonderful course out there, just for them!

There are private tuition academies here that teach courses, so if I contact them than maybe they would be willing to lend me a classroom for 90 minutes or so everyday – but that sounds like a miracle, and academies don’t usually do that. And advertising is still an issue!

Help. Help.

Hubbaaaa

the very beginning

November 1st, 2009

huuubbaaaa!

excellent! I’m so excited about this. You know that you are doing something very powerful, ya? I was really astounded when you told me about your idea, back in June. I think I told everyone I knew… “Hey, I have this student who’s going back to Pakistan after she graduates. Guess what she’s doing????” Most people said, “getting married?” I wish I had had the chance to meet your father. He is giving you an extraordinary gift. Truly.

I will start to compile a booklist for you. But the first book I would absolutely recommend is Natalie Goldberg’s Writing Down the Bones. All of the Garneau teachers who have taught Writer’s Craft have used it and they all recommended it to me when I started to teach the course. And there are many copies of it on Amazon, and cheap cheap too. We used it in our class for that time we dressed up as other people to write. I think you’ll find a lot of the ideas in it quite familiar to you from my classes. It’s a VERY good guide!

As for the writers you will have in your class, you don’t know who they will be, and how they will write. And that’s your first job as a teacher of writing: find out who they are and accept it joyfully as a gift.

In Rilke’s first letter to his young poet, he writes:

You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are upset when certain editors reject your work. Now (since you have said you want my advice) I beg you to stop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise or help you – no one. There is only one thing you should do. Go into yourself.

I think that’s very good advice for a young teacher too. Do not be concerned with whether or not your writers are any good or not. If you are concerned about that, then they will feel it, and they will want to be GOOD Writers and they will write for you, and for your approval. Plus, you’ll be frustrated when they do not write well, and they’ll feel that too, and they’ll stop taking risks.

So, in your first week, do as many “get to know you” exercises as you can. Remember how on the first day, I had you respond to a quotation about writing (quotations about writing).  Perhaps what you didn’t know was that I was watching all of you while you were doing that. I was watching to see who found it easy to write and write and write. Who was just looking for an invitation and a blank page. I was also watching to see who found it difficult to sit and write an open response for 20 minutes. I was watching to see who was concerned with “getting it right.”

Finally, don’t worry about whether or not you are a good teacher.  The department head at my first school once said to me, “Katherine, don’t worry about whether or not you’re good at this job until you’ve done it for five years.” And she was sooo right!!! Bring the same compassion and acceptance towards yourself as you do towards your students, and you WILL be a good teacher and they WILL be good writers :)

Alrighty. I got to go prep for my own students. We’re starting the poetry unit tomorrow. You can just guess how excited I am about that!

msp

yeaah!

November 1st, 2009
I think the blog a great idea! It will also help a lot with working on and developing the classes. And would help many readers as well. I accept your proposal!! And thank you for considering.
So, I will read your blog and find inspirations, then I will create a synopsis of the course, and then the course outline. I think if I can make it a month long (6 days a week - Saturdays are not off here (yet!)). It will be a great milestone!
I have internet access 24/7 so thats not a problem. Uh! about libraries, there is a big and old public library in the downtown that offers great books, but it has more of the cultural and historical books. I may be able to find books from the list but not a guarantee. But for than then, I think Amazon works best! So please do send me the book list and I  will start with the course today! I do have to keep in mind that the writers here are not all that good, so I think I will introduce some beginnings with grade 11 or 12 English.
The blog ”Letters to a Young Teacher” is a greaaaat idea. Let’s head to it. Can’t wait.
hubba

huuuuubaaaaaaaaa!!!

November 1st, 2009

huuuuuubbbbaaaaaaaaaaaaaaaa!

I am SO excited for you!! when you didn’t mention it in your last e-mail to me, I didn’t want to ask, cause I was afraid that the plans had fallen through. And it’s a big undertaking, so I would have totally understood!

So, yes, yes yes yes. First- of course, you can use any of the exercises we did in class. Many of them were ones I have borrowed, stole, adapted from courses I have taken from other people or books I have read. I tried to acknowledge them when I could, but the reason for that was more because I wanted to direct your attention to those writers :)

I mentioned to you, I think, that I keep my own blog where I think aloud about what I do when I teach.
It’s http://meadow4.ca/imperfectoffering

If you start reading here, in March 2009, and move forward…
http://meadow4.ca/imperfectoffering/?m=200903
you can see all the thinking aloud that I did as I planned our class, and my reflections about it- the good, the bad, and the deeply lamentable. You’ll even find yourself quoted :)

don’t worry if you don’t understand some of it. I write for myself on that blog, and sometimes I refer to things that only someone steeped in critical theory would know. But you’ll definitely know what I was talking about in reference to our classes.

Of course, you can also follow the writer’s craft blog:
http://meadow4.ca/writerscraft/

Second, I have a proposal for you.
I have, for a long time, been wanting to write up what I do in my creative writing classes, especially the way I teach poetry.

There is a famous book called Letters to a Young Poet: http://www.sfgoth.com/~immanis/rilke/letter1.html, which I confess I have not read, but glancing over the first page, it’s clearly about time that I do!!!
I was thinking, what if you and I were to create a blog together called “Letters to a Young Teacher.”
We could make a commitment to writing to each other once a week.

You could ask me questions, think aloud about what’s happening in your class, what you hope and dream for it, and I will respond.

Whaddya think?

Finally, just so’s I get a sense of what you have going there:
1) what’s your internet access like?
2) what’s your access to books in English like: library, bookstore, Amazon.com if all else fails?
I want to send you a booklist of some of the books that have been the most helpful to me for creative writing exercises.

So excited about all of this!!!

Msp

ms. paaaaaaaaarissshhhhh!!!!

November 1st, 2009
So ms paaarish, I have finally decided to carry out the writer’s class I always dreamed of!
University here starts january so i thought today, I have two months, if not now then when?
And here it is! This is the beginning of one of the many initial steps, and I am sooo excited!
My dad has this private office apart from his work that is available for my use, and he says he will help with the location and other stuff. As a start, I just need to organize an outline and then carry out with it.I have all my writers craft notes and the blog we made as a class is still at hand, but I do have one concern – the majority here is not highly qualified so I may have to cut down and replace  some things from that course.
What I was hoping, if you can kindly take some time out from the tight schedule, was maybe if you can guide me with the beginning. It will be a private course – which is different in many ways than the school course we took as writer’s craft – but you can probably give me some tips, ideas, or anything engaging I can use, or anything that will improve my interactions with the students taking the course, anything possible. I will be very grateful. And I was also wondering if it is okay for me to use some of the stuff you taught us in the course? If it’s okay with you. Because it’s totally fine for me to gather new material. But alot of the stuff you taught was very appealing!
Waiting impaaaaaaaatiently for your reply.
Thank you for all that you’ve taught!
tc